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To play this motif 840 times in succession, it would be advisable
to prepare oneself beforehand, in the deepest silence, by serious immobilities.
This enigmatic instruction, on a single page of music bearing the title Vexations,
has turned the strange piano piece into a legend in the annals of experimental
music.
The work emerged from obscurity in 1949 when Henri Sauguet, a friend
of Satie in his last years, drew it to the attention of John Cage. At first
Cage found it interesting as a concept but dismissed the possibility of
a performance: "True, one could not endure a performance of Vexations ...but
why give it a thought?". Nevertheless, in September 1963 Cage organised the first 'complete' performance of Vexations at the Pocket Theatre, New York. Since that occasion, Vexations
has been performed numerous times by individuals and groups.
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